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Showing posts from April, 2022

Theatre Workshop Journal - Day 4 [4/26/22]

  Gecko, Video 1 - What is the Creation Process? finding personal ideas that resonate with a world audience  before writing, visualize and feel the setting of your ideas end of the writing year becomes more technical, devising costumes and score sets start out as prototypes as many performances are held Gecko, Video 2 - What elements do you consider when making a show? scripts are created by a combination of different elements besides just writing; disciplines of sound, choreography, scenes, etc. are responsible for building the script creating a proximate feeling in dialogue  National Theatre, Video 3 - Devising Jane Eyre extensive auditioning  collective responsibility for interpretation finding your ensemble’s physical and verbal language  built by everyone in the room with all sharing ownership  dynamic enrichment for actors Stimulus = Starting Point Personally, a starting point must make me rapidly think of expanding ideas from that point as well as fo...

Theatre Workshop Journal - Day 3 [4/19/22]

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  The director chooses to… familiarize the audience with a blank stage send the actor to different spots on the stage at different levels, sometimes standing and sometimes lying down the actor also says what they had for breakfast at certain points change the position, color, and amount of lights on stage; it continually decreases with each new direction until the stage is fully dark introduce a new actor and slowly build interaction between the two actors, then continues to add more and more characters to change the tone and location play different music and adjusts the mic settings to influence the tone and location more  “Love and Information” Key Ideas knowledge & meaning, understanding  individuality and personal connection gaining to analyzing open book for actor’s input, open to audience interpretation

Theatre Workshop Journal - Day 2, Commedia dell’Arte [4/14/22]

Q1: Why are the body and voice significant in theatrical performance? A1: Those are the means that express character and emotion to an audience, you can use your own body like a prop to establish setting and mood, and voice usually conveys what a character is thinking. Q2: What demands are placed on a performer’s body and voice during performance? A2: Often need to project and have strong volume, constant energy and focus. Key Moments of Learning 1. We struggled with interaction during the exercises, either staying in one area or missing certain cues 2. Sometimes our volume was too quite or very loud, nervous to talk over each other

Theatre Workshop Journal - Day 1 [4/12/22]

  INSPIRATION - root word is inspire; opposite is expire - encouraging, provoking thought and influencing positively  - respiration = breathing, can control an active brain - inspire definition is to breathe in IMAGINATION - root word is imagine —> root word is image; a picture or visual of something  - taking an image from your brain and making it into something physical  - comes from the same place as memory in the brain      - easier to re-imagine memories, experiences you already have      - dreams where your brain takes random bits of information and puts them in new images - what is reality? confusion built from missing details - memory and imagination are the materials used to make unique theatre! 2 Truths, 1 Lie:  I remember the morning my Dad left for Florida, I took Taekwondo classes and was close to being a black belt, I got lost for an afternoon with my cousins at a camping ground QUOTE - “Generalization is the death ...