Theatre Workshop Journal - Day 4 [4/26/22]

 Gecko, Video 1 - What is the Creation Process?

  • finding personal ideas that resonate with a world audience 
  • before writing, visualize and feel the setting of your ideas
  • end of the writing year becomes more technical, devising costumes and score
  • sets start out as prototypes as many performances are held


Gecko, Video 2 - What elements do you consider when making a show?

  • scripts are created by a combination of different elements besides just writing; disciplines of sound, choreography, scenes, etc. are responsible for building the script
  • creating a proximate feeling in dialogue 


National Theatre, Video 3 - Devising Jane Eyre

  • extensive auditioning 
  • collective responsibility for interpretation
  • finding your ensemble’s physical and verbal language 
  • built by everyone in the room with all sharing ownership 
  • dynamic enrichment for actors


Stimulus = Starting Point


Personally, a starting point must make me rapidly think of expanding ideas from that point as well as forming a view of setting within my space. As a theatre maker, finding a good starting point inspires me to write lots of ideas that sometimes trail off but ultimately build a large web of thoughts.


Texture in the top right corner reminds me of smoke or leaves which are very contrasting parts of nature. There are shapes that look like shadows of animals or people hunched over to me. One solid block of brown that splinters into more defined trees, as if the trees are branches themselves? Left side is more clear and has less red and black/dark colors than the right. Hard to distinguish between fall colored leaves or flames. Something that looks like clear but is really the same danger.

Comments

Post a Comment

Popular posts from this blog

Theatre Workshop Journal - Day 1 [4/12/22]

  INSPIRATION - root word is inspire; opposite is expire - encouraging, provoking thought and influencing positively  - respiration = breathing, can control an active brain - inspire definition is to breathe in IMAGINATION - root word is imagine —> root word is image; a picture or visual of something  - taking an image from your brain and making it into something physical  - comes from the same place as memory in the brain      - easier to re-imagine memories, experiences you already have      - dreams where your brain takes random bits of information and puts them in new images - what is reality? confusion built from missing details - memory and imagination are the materials used to make unique theatre! 2 Truths, 1 Lie:  I remember the morning my Dad left for Florida, I took Taekwondo classes and was close to being a black belt, I got lost for an afternoon with my cousins at a camping ground QUOTE - “Generalization is the death ...
Read more

Mobile - The Making and the Intentions

Mobile achieves the goals of The Paper Bird’s theatre making in many ways. For one, the audience is on the stage for the whole performance since the show is set inside a mobile home. There are also numerous examples of verbatim: tv interviews, personal interviews broadcasted through household items, an astronomy book, and others. Each of the personal interviews also connects to one of the show’s clearest uses of symbolism where people assign themselves as household objects. It allows each person to develop as a unique character with functions such as microwave beeping to censor swears, the choice of words to appear on the alarm clock and more. All of these items, though, eventually become “novelties” to people from the outside, members of the audience included. Catherine as well is drawn to these items and has her own moments where the vehicle’s projector helps display her scattered thoughts with a series of quickly flashing images. Even the song she chooses to play, Hotel California, ...
Read more

Grotowski and Peter Brook’s Acting Methods

The Theatrical Styles of Grotowski and Peter Brook Grotowski Theatre: Communicating through focused sounds and movements  because Grotowski actors believe that acting is a search for self knowledge and awareness, their style has taught them to break free of limitations and utilize their full potential  Improving concentration by working in silence as a creative passage  Developed highly specific physical and vocal training  Grotowski wanted his actors to have direct control over even their most minute movements; clarity is key Actors need to see how they impact others when they look and listen to them “Poor Theatre” forced actors to use all their skills to transform simplistic spaces and objects into a whole range of imaginative worlds, with heavy symbolism and direct audience interaction  Like in Brecht’s method, Grotowski emphasised the use of emotional memories to recall and recreate actors’ experiences with total honesty and total commitment, no matter how p...
Read more